Terrain 5
The work of alex davis
“I take entirely too much pride in being young and reckless”, a
mantra that somehow seems to emanate from the the work of Alex Davis, or so I
thought upon encountering his portraits at the night of the event. It was droll, and fascinating. A message veiled in it’s shabby sort of
aesthetic that masks it’s subtle optimism.
Two figures stand,
enjoying a night cap. Drinking under the phrase “Moonlit cocktail - need a few”
Strange looking men, rough customers.
The figure on the left bares a tattoo representing a hobo graffiti tag
meaning “afraid”. The figure on the
right with eyeliner, possibly a reference to Stanley Kubrick’s, A Clockwork Orange. These men, one with
even a hook for a hand, have had a rough day. They find solace in strong
drink. Two characters, who in the end
steal the spotlight, but in reality
represent only the illustration of Alex’s subdued micro-manifesto, painted at
the top of the panel. There are more than
a few interesting things about the way these characters are portrayed. I especially enjoyed the character’s
t-shirts. Similar shirts, baring slogans
that mean close to nothing. “Tortilla
flat” It sounds like a shirt for a dish
at some tex-mex restaurant. His counterpart with a shirt that says Bug Slug,
with Bug crossed out. I find these
absolutely hilarious. In the same way
that Ralph Steadman used ink to apply his ironic stabs at society, so does alex
tap into the spirit of a good natured sort of apathy through a dingy
aesthetic. A gentle assassination of
character.
Even the medium
interested me. Painting on the sort of
wood panels that over run our thrift stores.
The kind of wood panels with the poem “Footsteps” pasted on and
lacquered over. For some reason this use
of covering over mass produced art seems to be in the exact same vein as
graffiti artists. Covering up something
made by our aesthetic society, giving it a slogan, and making it deliciously
grotesque.
To me, Alex
Davis’ work represents our generation’s struggle in between the apathy that
comes with modernism, and being overwhelmed with the rampant subjectivism that
comes with postmodernism. It’s a grimy
aesthetic, over a voice that yearns for change, but doesn’t quite now what change
is needed. At least not yet, maybe in a
drink or two.
This is a very interesting piece. I think the random titles on the T-shirts are most interesting to me because of there playful nature which adds a lot to it. Well written, Matt.
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